Wednesday, 11 November 2009

appendix twelve: analysis of completed thriller

Evaluation

Codes and conventions in our media product

It is important to recognise that when creating a thriller film that the media product has to explore the codes and conventions of such genre. In relation to our media product we used many of these important conventions. As the most common of the codes and conventions is that the films are usually set in darkness we used this to our advantage by having the film in filmed in a dark confined area to show this to the audience. The two pictures show how our media product is similar to a blockbuster thriller film through this convention of darkness.

Another obvious convention our media product included was dramatic edgy music to draw in the attention of the audience. Our film was set in an urban landscape which subsequently again fit in with the constant referral to the thriller codes and conventions. This urban landscape is shown to the audience through the fact our product was filmed in a garage. This may not appear obvious to the audience member, but the set does provide some clues to show the audience this is an urban landscape i.e. tools. This picture demonstrates how this can be seen. With this in mind it could be seen that our media product could challenge this convention. Partial vision plays a big role in our media product. As straight from the beginning of the sequence it starts making the audience ask questions. At the very beginning of the sequence partial vision is portrayed through a point of view shot. Again this makes the audience ask the question, whose point of view is this from? As there are more shot reverse shots through the sequence the audience begins to see more of what is happening on screen. This could be described as a form of protracted outcome, as the audience is left in suspense waiting to see who this person is. The two pictures show how partial vision is explored in our media product and in another blockbuster film.

Partial vision is also explored during the shot where the door opens and the light creeps across the characters face. This is as the audience know someone is there but never gets to see this person. Again during this time the audience could be asking questions such as, who is opening the door? This question could arise during the point the door latch begins to turn. Subsequently this could challenge the protracted outcome convention, as the audience never sees this person this could lead to the audience being in suspense until the point the girl screams and the audience hear the outcome that this is the villain of the story. This is another convention of a thriller film.


Who does our product represent?

Prior to creating this product our audience research we collected concluded that the audience age that we would be satisfying was 15-17 year olds. This could suggest to us that the product we created then therefore had to represent this majority of people. As this age range is a young one this meant in our media product we had a young character. Although this character is 10 years old I believe that the audience could find her more relatable then an adult, this is as most people who watch this film would be able to relate to being ten years old.


As through our audience research we found that most people would accept a film about domestic abuse this meant we could set our opening sequence around it. I found that as most people could relate to being 10 years old most couldn’t relate to being domestically abused. As most of our expected audience would have been raised domestically I find that this could mean the audience member could become attached to the character and begin to imagine themselves as 10 years old and being abused. This would make our film more controversial and interesting for the audience member. This shows me that our product could represent our target audience member. An example of a film that incorporates the two elements of young people and domesticated environments is Hide and Seek (2005). The main story line of this film is that a father is unknowingly causing his child mental harm. This means that the audience members can relate to this child as they have been that age and could imagine this happening to them. This means that in both films the audience member can relate to family problems. Our media product incorporates this message and represents a social group of 15-17 year olds in domesticated areas.

To add the effect of innocence to our character we chose to have the character wearing pyjamas. This therefore again allows the audience to relate to the character and represents how most 10 year old girls would dress. This addresses the stereotype that all young girls are innocent. This again is explored through the use of a teddy bear. The audience research found that this teddy bear enhanced the feeling of neglect; this meant that we were representing what the audience viewed as a code for neglect. This suggests to the audience that the girl is lonely and gives them a stereotypical view of what living with domestic abuse would be like. To represent our audience more we used the information from our questionnaire to find that children staring in to the camera was scary. This meant that subsequently we could use this in out sequence to represent the wants of 15-17 year olds.


To physically enhance the view that this child is domestically abused, we used make up to give the appearance that she had bruises on her face and a bust lip. This aloud us to clearly show the audience that we were representing the information they had given us about domestic violence being appropriate.


Who may distribute our media product

Our product has some obvious qualities that mean that it can be put in to some distribution categories automatically. As our product is set in Britain this means that it could be possible that it wouldn’t become a Hollywood blockbuster. More likely it would become distributed among British film companies such as Film Four. Film Four often have viewings of small budget films from Britain often i.e. Run Fat Boy Run. Subsequently our film is put in to the thriller genre; this also suits this particular company as they often have viewings of thrillers such as Slumdogg Millionaire. When looking at our media product this could mean that our target audience would be able to watch our product through this distributor. This is as are target audience is 15-17 year olds in domesticated environments. Consequently this means that they would be able to access this media distributor from home.


With technology ever growing and younger people accessing the internet this means that another source of media distribution could be on the internet. This means that websites such as http://www.dogwoof.com/ can show our film to the audience we are targeting. Media product makers such as me can post my product on to the website and can have the possibilities to be shown to anyone accessing the internet. Another form of distribution to our target audience would be in the form of a film festival. This is an event where film lovers can come and watch low budgeted thriller films like our own media product. The Sundance festival allows people to watch these kinds of films and we can enter our own product to them for distribution. With this in mind some extra extensive audience research we could have done would have been asking the person how they would usually access a thriller film such as our own. With this in mind I believe most people would have said on television or cinema. This suggests that Film Four could be the most appropriate form of Distribution we would use.


What will attract the audience to our product?

Through the use of audience research we have been able to understand our target audience. This gives us a clearer idea of what our target audience will want from our media product and what they will look like etc. The age range of our target audience seems to be 15-17 year olds. This is represented in the picture below. These people look like the type of people who would watch our film.




Due to their smiling faces and attitudes I expect that these teenagers have had a happy domesticated upbringing. This in turn means that they will be able to relate to some of the domesticated story lines within the product, meaning that they are obviously our target audience. AS the main character in our media product is ten years old, these people will be able to relate to being this age more clearly then the likes of 40 year old would be able to.

Preliminary task compared to final piece

My main preliminary task included one girl walking in to a room and having a conversation with another girl and then leaving. Immediately just within the plot line there is a huge difference between this and our finished product. This plot was not at all interesting for the viewer and did not challenge any codes and conventions of a thriller film. I think this change in satisfying the audiences need was due to the audience research we collected for the final media product. This research gave us a clearer idea of what the audience wanted from out product, such as tension, costumes, props, make up and what they expected of the film. This allowed us as directors and crew members feel more confident and reassured as to what we had to do on set. This confident made our final product look more professional and overall better then the preliminary. Some of the audience feed back we received after a viewing of the preliminary task was that the match on action wasn’t good. I feel that my group and I resolved this as the film looked very smooth and it was not commented on during the audience feedback for the final piece. One thing that was highly commented on during the audience feedback of our final product was that the music and graphics we used were to a higher standard ad gave the audience what they expected from our film. In our preliminary task we didn’t use this music or graphical techniques, so this in turn this resulted in the preliminary not looking professional, or satisfying the audiences wants. Whilst editing the preliminary product we found that we didn’t have enough takes to work with. To resolve this in our final media piece we took many takes. This meant that we had a wider range of takes to work with to make our film look at the most highest standard. Overall I see this Preliminary task as useful, as with out it we wouldn’t have realised some of these big mistakes and resolved them to make our product the best it could be.

Technology used









appendix eleven: audience feedback

Audience feedback

As it is important to collect audience research to make a satisfying film to a target audience, it is as equally important to collect audience feedback. Hopefully this feedback will allow me and my group members to understand how to amend problems and see what worked well within our thriller film.

During our feedback one of the first comments that were made about our media product was that the music played throughout the sequence made the audience feel tense and gave the clip more tension. This is positive feedback as one of the main conventions of a thriller films is music that provides suspense. Also this comments means that we have been following the information that we were given through our audience research, this is as our research we found that one of the main things that the audience expected from our media product was tension and suspense.

Another comment made about the music we used in this sequence was that it worked well with the effects we placed on the opening title of the film. This means that we were combining both the tension of the music and adding more tension with the title effects. We were given a comment “it made me jump” again this is a good thing as one of the things that the audience research found that the audience liked about a thriller film was that it was scary. This means that we were satisfying the audience’s wants with our opening sequence.

The direction we gave the actress was described as very good. This is important as this means that we were giving the right emotion across to the audience through the use of our actress. This means that we were able to put across the feeling of neglect and domestic abuse to the audience. This was also one thing that the audience wanted to see during our audience research. The feel of neglect was also put across using the prop of an old scruffy teddy bear. This prop was described as relevant, meaning that we did put across that feeling of neglect to the audience successfully.

Negative feedback is as important as the positive, but the only negative feedback we received was that there weren’t a lot of credits. We only had the title of the film in the beginning sequence as we felt that this needed to stand out as the most important thing of the sequence as it was the title of the film. This also made that audience ask questions about what the title of the film meant, making them want to watch the film to have their questions answered.

appendix ten: video log sheets




EDL

TITLE: nostrophobia
001 BL V C 00:00:00:00 00:00:00:13 00:00:00:00 00:00:00:13
002 AX NONE C 00:00:02:01 00:01:12:00 00:00:00:00 00:01:09:24
REEL AX IS CLIP 10 Ruska.wma
* AUDIO LEVEL AT 00:01:09:03 IS -8.30 DB (REEL AX A3)
* AUDIO LEVEL AT 00:01:10:19 IS -99.99 DB (REEL AX A3)
* AUDIO LEVEL AT 00:01:09:03 IS -8.30 DB (REEL AX A4)
* AUDIO LEVEL AT 00:01:10:19 IS -99.99 DB (REEL AX A4)
AUD 3 4
003 Untitled AA/V C 00:00:02:00 00:00:03:18 00:00:00:13 00:00:02:06
REEL Untitled_Tape IS CLIP scene 1 .avi
004 Untitled V C 00:00:02:00 00:00:03:12 00:00:00:13 00:00:02:00
REEL Untitled_Tape IS CLIP scene 1 .avi
005 Untitled V C 00:00:03:12 00:00:03:12 00:00:02:00 00:00:02:00
005 BL V W000 006 00:00:00:00 00:00:00:09 00:00:02:00 00:00:02:15
EFFECTS NAME IS W000
REEL Untitled_Tape IS CLIP scene 1 .avi
REEL BL IS CLIP BL
006 BL V C 00:00:00:00 00:00:00:09 00:00:02:06 00:00:02:15
007 Untitled AA/V C 00:00:47:19 00:00:52:12 00:00:02:15 00:00:07:08
REEL Untitled_Tape IS CLIP scene 1 02.avi
008 Untitled V C 00:00:47:19 00:00:52:06 00:00:02:15 00:00:07:02
REEL Untitled_Tape IS CLIP scene 1 02.avi
009 Untitled V C 00:00:52:06 00:00:52:06 00:00:07:02 00:00:07:02
009 BL V W000 006 00:00:00:00 00:00:00:08 00:00:07:02 00:00:07:16
EFFECTS NAME IS W000
REEL Untitled_Tape IS CLIP scene 1 02.avi
REEL BL IS CLIP BL
010 BL V C 00:00:00:00 00:00:00:08 00:00:07:08 00:00:07:16
011 Untitled AA/V C 00:00:16:03 00:00:20:02 00:00:07:16 00:00:11:15
REEL Untitled_Tape IS CLIP scene 1 03.avi
012 Untitled V C 00:00:16:03 00:00:19:19 00:00:07:16 00:00:11:07
REEL Untitled_Tape IS CLIP scene 1 03.avi
013 Untitled V C 00:00:19:19 00:00:19:19 00:00:11:07 00:00:11:07
013 BL V W000 008 00:00:00:00 00:00:00:07 00:00:11:07 00:00:11:22
EFFECTS NAME IS W000
REEL Untitled_Tape IS CLIP scene 1 03.avi
REEL BL IS CLIP BL
014 BL V C 00:00:00:00 00:00:00:07 00:00:11:15 00:00:11:22
015 Untitled AA/V C 00:01:12:08 00:01:18:01 00:00:11:22 00:00:17:15
REEL Untitled_Tape IS CLIP scene 1 04.avi
016 Untitled AA/V C 00:00:42:15 00:00:46:22 00:00:17:15 00:00:21:22
REEL Untitled_Tape IS CLIP scene 1 05.avi
017 Untitled AA/V C 00:02:32:10 00:02:38:23 00:00:21:22 00:00:28:10
REEL Untitled_Tape IS CLIP scene 1 06.avi
018 Untitled AA/V C 00:02:46:21 00:02:50:11 00:00:28:10 00:00:32:00
REEL Untitled_Tape IS CLIP scene 1 07.avi
019 Untitled AA/V C 00:03:03:09 00:03:06:22 00:00:32:00 00:00:35:13
REEL Untitled_Tape IS CLIP scene1 08.3.avi
* AUDIO LEVEL AT 00:03:03:09 IS +4.96 DB (REEL Untitled A1)
* AUDIO LEVEL AT 00:03:03:09 IS +4.96 DB (REEL Untitled A2)
020 Untitled AA/V C 00:03:11:15 00:03:14:16 00:00:35:13 00:00:38:14
REEL Untitled_Tape IS CLIP scene 1 09.2.avi
021 Untitled AA/V C 00:03:31:18 00:03:35:16 00:00:38:14 00:00:42:12
REEL Untitled_Tape IS CLIP scene 1 10.avi
022 Untitled AA/V C 00:03:43:07 00:03:48:09 00:00:42:12 00:00:47:14
REEL Untitled_Tape IS CLIP scene 1 11.avi
023 Untitled AA/V C 00:03:54:08 00:03:59:16 00:00:47:14 00:00:52:22
REEL Untitled_Tape IS CLIP scene 1 12.avi
024 Untitled AA/V C 00:05:13:21 00:05:21:00 00:00:52:22 00:01:00:01
REEL Untitled_Tape IS CLIP scene 1 13.avi
025 Untitled AA/V C 00:05:35:17 00:05:36:10 00:01:00:01 00:01:00:19
025 Untitled AA/V K B 00:05:36:10 00:05:43:17 00:01:00:19 00:01:08:01
025 AX AA/V K 000 00:00:00:00 00:00:07:03 00:01:00:19 00:01:07:22
REEL Untitled_Tape IS CLIP scene 1 14.avi
REEL AX IS CLIP thriller Linked Comp 01/thriller titles.aep
026 Untitled AA/V C 00:06:19:16 00:06:20:18 00:01:08:01 00:01:09:03
REEL Untitled_Tape IS CLIP sene 2 01.avi

appendix nine: production schedule

Name of production: "Nostrophibia"

Directors:
Jessica Healey
Hannah Burkey
Daniel Hancox

Cast:
Emily Burkey

Crew:
Jessica Healey
Hannah Burkey
Daniel Hancox

Equipment:
Camera
Candles

Location:
47 Helston Close,
Sutton Park,
Runcorn,
Cheshire,
Garage

Props:
Teddy Bear
Blanket

Day of filming: 14/11/2009

Collecting equipment and hire sheets
Collecting extras and cast
Travelling to locations
Creating set
Filming

Started Editing/logging: 16/11/2009

Finished Editing/logging: 14/12/2009

appendix eight: production material







appendix seven: recce and location sheets

Health and safety

Production health and safety is extremely important as it keeps everyone safe and all of the equipment in one piece, this reduces in an easier to produce film.Something’s may seem almost trivial however it is always important to ensure the clips are always fastened correctly and that the tripod is always placed in a level place to avoid it falling over. Another simple thing is making sure all cables that can be taped down are taped down to avoid accidents and those that cant be taped down have a stool or object is over it to show that the cable is there. Forms of contact are also important as if there is an accident it will be the only way to alert someone this means that they must always be charged and have credit on them when filming outside. Another thing to take into account is the fire exits and emergency procedures, this then applies to the crew and the actors as they should all know where to go and what to do. Another important thing to know is where the first aid kit is as this minimises the need for of site treatment. When filming off site at night, early morning or any time of day you must be aware of the fact there are fewer people around this could be a good thing, however this also means if there is an accident there are fewer people who can help. Weathering conditions are also important as frost and ice can not only be bad for costume and actors but can also be dangerous when positioning the tripod of moving with the camera, the most obvious but still on that is important if it is early morning or of a night it is going to be darker than usual, this means there are more dangers of tripping and falling but also of things such as muggings ect, to ensure you are not attacked or mugged it is always a good idea to film in a group of three, as if there is an accident then there is someone to stay with the injured person an then one to go for help.Finally there are some technical things to be aware of when using the equipment, the light (red heads and blonds) can reach between 800-1000 watts this making them extremely hot. This means that you should not touch any part of the head of the light as it will also be very hot and can cause severe burns. You must also ensure that you do not touch the bulb weather it be hot or cold, if hot it can melt through your skin, if cold you can leave grease on the bulb and this will cause it to shatter once it is turned on and becomes hot enough.


Location sheet

Opening scenes:
-garage, jess’ house
Address:
-Sutton park,Runcorn, WA7 6AA

bed room:
-jess’ house
Address:
-Sutton park,Runcorn, WA7 6AA

Recce

This image is of the garages and the area in which in Adalade lies in our opening sequence, originally we were going to film in an attic or loft space however we felt that the garage would be safer for out group and the actress and that is had a more sinister feel and was easier to gain access to.This is where at the end of the opening sequence Adalade as an adult sharply awakes, we decided to use this space as it looked mature enough for an adult, was easy to access and worked well with the feel of the overall film. It is a simply room with little artwork and is also very mellow this then worked again as there was nothing to draw attention away form Adalade.

appendix six: character outlines and shooting script

Character profiles

Adalade Mathews, as a child:


She is a 10year old girl, she is taller than average and has short brown hair and hazel eyes. Her mother died when she was 7years old and she now lives with her father; however she is a sufferer of domestic abuse at the hands of her father, her only family member. Due to this life of torment and violence as she finds herself forever locked in the attic space of their home, she is covered in bruises and is a very quiet, nervous, shy little girl who is petrified of the dark and her father.


Adalade Mathews, as an adult:

She is a 23year old woman, she is shorter than the average woman and she now has long brown hair and hazel eyes. Despite her background of domestic abuse at the hands of her farther she has now turned her life around and is a fully qualified psychologist, she has chosen this career in order to help other sufferers and come to terms with her past. She now owns her own house and lives in it with her 6 year old daughter. However her life has been dramatically affected by her past and she is still quiet, shy and afraid of the dark, but she has found herself having terrible dreams since the release of her father from prison.


Father:

The father in this film is known and referred to as he and him; however his name is actually Albert Mathews. When released from prison he is aged 57, he is tall and has a large build, he also has brown hair and hazel eyes. Before Adalade was born he was in the army however was struck off. From the age of 5 he was aware of the domestic violent abuse that effected his mother and sister at the hand of his father and when Albert had misbehaved and needed to be punished his father would force him to watch the domestic abuse towards his female family members; however growing up with this he somehow believed that it’s was the norm and so when he got married he then saw no problem with abusing his wife, however when she was killed in a car crash he then turned his attention to his daughter and when found guilty by the courts received 13 years without parole.

Script

Adalade as a child*

INT GARAGE. CUT IN. CLOSE UP-TEDDY.MIDDAY

The audience can see a TEDDY’s face in a dark room; the TEDDY is lying on his side

REVERSE. CLOSE UP-ADALADE.

The audience can see a young girl’s face in a dark room; she is also lying on her side and is looking at the TEDDY

SHOT. EXTREAM CLOSE UP-TEDDY

The audience can again see the TEDDY however this time it rakes up most of the frame and has not changed his position

REVERSE. EXTREME CLOSE UP-ADALADE

The audience is again shown ADALADE’s face in a dark room this again takes up the whole frame and she is still in the same position.

CUT IN. HIGH ANGLE. MIDDAY

We see a shot of ADALADE looking at the TEDDY in what seems to be a mirror image in the same dimly lit room.

CUT. CLSOE UP, TRACKING-ADALADE

There is a shot of ADALADE in the same room still lying down, however the as she sits up the camera follows her actions.

CUT. FULL SHOT-ADALADE and the TEDDY’s head

We can see ADALADE sitting upright holding her knees to her chest; we can also see the back of the TEDDY’s head in the bottom left hand side of the frame. ADALADE then reaches for the TEDDY and holds it close.

CUT. MID SHOT of ADALADE. FULL SHOT of TEDDY.

We see ADALADE look eye to eye with the TEDDY, she then pulls the TEDDY towards her face.

CUT. OVER THE SHOULDER SHOT. CLOSE UP-ADALADES mouth.

We see the back of the TEDDY’s head and a shot of ADALADE’s mouth and the bottom of her nose as she whispers to the TEDDYADALADE:He’s here

CUT. FULL SHOT of DOOR. OVER THE SHOULDER

We see a shot of the door from behind ADALADES head looking at the door in the dimly lit room.

CUT. CLOSE UP of the DOOR.

We can see most on the door in the frame, and no lighting has been changed however this time we are looking at it more form ADALADE’s point of view rather than over her shoulder.

CUT. FULL SHOT of ADALADE.

We are shown a full shot of ADALADE holding her knees to her chest in the dimly lit room. The camera then CRANES up to produce a slightly HIGH ANGLE shot of ADALADE without changing her position.

CUT. EXTREME CLOSE UP on DOORHANDLE.

The DOOR HANDLE fills the left hand side of the frame and is slightly lit on one side in the otherwise dark room.

CUT. EXTREME CLOSE UP-ADALADE.

ADALADE’s eyes and the bottom of her nose is the only thing that is visible within the frame, her eyes are filled with fear and there is a large amount of light on her face.ADALADE’s face is then covered in shadow and it is hard to distinguish her facial expression and features.

CUT. BLACK SCREEN.

We can see nothing, but can hear screaming and whimpering.

Adalade as an adult*

EXT. CUT. ARIEL SHOT-ADALADE.ADALADE wakes up suddenly in bed and gasps loudly.

CUT TO CREDITS

appendix five: treatment

Synopsis

Adalade Mathews is tormented by her abusive past. She finds it difficult to enter dark and scary places, as these places make her re-visit her trauma of the past. Her father kept Adalade captive in an attic when she was seven years old, after her mother was killed in a car accident. Adalade’s father was given the sentence of 13 years imprisonment but later came to find his daughter and gain revenge. By the time her father is released, Adalade is now a mother of one and a successful psychologist and studies domestic abuse. Whilst at a dinner party she calls her friend whom is babysitting her daughter. During this phone call she hears the abduction of her daughter and that all too familiar sound of her fathers sinister laughs. This is when Adalade realises that she is the only one who can stop him to save her daughter. She uses her connections in the law enforcement and her knowledge of domestic predators to follow her fathers trail. Whilst in the haste of trying to find her abducted daughter, she is a witness to a car accident; she immediately sees the connection between this accident and her own mother death. Scratched in to the bonnet of the car involved was an address. This leads her to the place where it all started. Adalade now realises what she has to do, she acquires a gun. Goes to the address scratched in to the bonnet and has to overcome her trauma of being in the house where her domestic abuse began. After struggling to enter the house she is surprised by her father who ties up Adalade next to her daughter in the attic. Adalade manages to become free using a protruding nail from the floor boards, and shoots her father repeatedly in the chest.

appendix four: audience research

Questionnaire

1. Gender
MaleFemale

2. Age
15-17
18-20
21 +

3. Do you know what a thriller genre is?
Yes
No

4. Do you watch thriller films?
Yes
No

5. Which type of thriller film do you enjoy the most?
Psychological
Action
Creepy/Scary
Supernatural
Mix all a few or all

6. Do you think children can add a scary factor in the right places?
Yes
No
If yes, what do you think is the creepiest thing for them to be doing?

7. Do you think the idea of a ‘normal’ problem such as domestic violence to be more disturbing as a UFO or ghost?
Yes
No

8. What do you expect from a thriller film most of the time?

9. Do you think a thriller involving domestic abuse would be appropriate?
Yes
No

10. Do you think a old warn out teddy bear can add to the feel of neglect?
Yes
No

Results

These are the results that we have collected from our questionarre. Hopefully these results will help the group to create a thriller opening that is satisfing and appealing to our target audience. We have chosen to show our information in charts and graphs and we feel this makes the information easier to interpret and overall give us the best conclusions to make a good thriller opening sequence.

Gender

There are more males here then females, this could mean that the majority of the resulsts we collected are biased from a male point of view. This could result in making a film that is more suited to the male gender rather then a female. This reasearch could have been more effective if we had asked the same amount of males and females in our data.

Age

Here we have asked the majority of people in the age range of 15-17 this could mean that our film is more suited for the people in this age range. This could be as the majority of people we asked was in college so most people are within that age range in college. This data could be seen as useful as most people around this age tend to enjoy the thriller genre.

Do you know what a the thriller genre is?

This is probably one of the most important questions that we have asked as it allowed us to continue asking the people questions who would understand what they were about. This question also told us how many people would know what genre the film was if we were to show it to a real audience showing.

Do you watch thriller films?

The question in hand made sure that the people we were researching actually watched thriller films. This is as they may understand what a thriller is but not have enough experience in watching thrillers to answer the questions ahead in the questionnaire. This question again made sure that are information was as useful as possible.

Which type of thriller film do you enjoy the most?

Most people who answered this question chose creepy/scary and psychological. This tells my group and me that if we wanted are film to be one of the most enjoyable for the audience we should try and make our film fit in to these categories. The least popular option was a mixture of subgenres; this tells us that most people prefer thriller films that fit in to one clear subgenre.

Do you think children can add a scary factor in the right places?

This question tells us that subsequently if we add children in to our thriller film this may add to the scary effect that was the most popular choice in the subgenres. This means that our film would be more appealing to our target audience if we were to add the factor of children.

If yes, what is the creepiest thing for them to be doing?

The most popular choice here was singing, but we feel that this may be quite difficult to fit in to a thriller film. The second most popular choice was staring. We agree and feel that if the child were to stare in to the camera this may bring across this tense, creepy subgenre to life and make our target audience enjoy the film more.

Do you think that the idea of a 'normal' problem such as domestic abuse is more scary then a UFO or ghost?

‘Normal’ problems seem to be more scary then supernatural ones. We can use this to our advantage in out thriller film as creating supernatural things on film would be more difficult. This means that we can make the film easier and still appeal in the right way to the audience by using a ‘normal’ problem within the story plot.

what do you expect from a thriller most of the time?

Suspense was the most popular option within this question. This heightens the view that we should use should thriller codes and conventions such as patracted outcome and darkness. This may make the film tenser and make it feel more attractive to the audience. As this question was open, it meant that the person filling in the questions could put whatever they felt. This suggests to us that we should try and include all of the above in our films.

Do you think a thriller involving domestic abuse would be appropriate?

This question seems to have an equal result on ‘yes’ and ‘no’. This could mean that many may not feel it appropriate but there is a slightly higher result on ‘yes’ meaning it could be appealing to the higher portion of the audience. The results from this question provide the group with pause for thought as to whether to include this in our film. It could be that we include this within the plot but not in the opening scene.

do you think an old worn out teddy bear can add to the feeling of neglect?

This question tells us that we should include an old worn out teddy to add to this feel of neglect. This may put across the films ideas more clearly. Hopefully this may also tie in with the other audience wants, such as scary/creepy and suspense.

appendix three: brainstorm of content and classification of film

Thriller Ideas We would classify our film as age 15, as we think the violence and language contained within the film wouldn't be suitable for younger audience members.


Tuesday, 10 November 2009

appendix two: research into examples of comparable products

Seven

Seven The film seven was created in 1995 and directed by a man called David Fincher. The main genre of this film is thriller but it also can cover other wide aspects on genre such as crime and mystery. The film follows a linear narrative and this means that it starts at the beginning of the story and ends and the end. This means that it is easier for the audience to follow the story line. As this plot is easier to follow it gives the audience the impression that they are one of the detectives and are unveiling the mysteries together, it gives the audience a chance to work out the outcome, which means they become more involved in the story. There are many codes and conventions in this film that makes it a thriller genre. The first of many is an obvious but important one; the film is set in a modern city. This is in connection with G K Chesterton’s idea that a thriller genre film must be set in a modern environment. The film is mainly set in darkness and in a rainy environment, this adds to the idea of a dark depressing storyline. As the film is set in darkness this means that most of the time the audience do not have a clear view of what is going on in the picture. This is called ‘partial vision’. Pascal Bontizer said that this ‘partial vision’ suited the thriller genre as it keeps the audience in suspense as they do not know what is happening. ‘Partial vision’ is again explored within this film as we don’t ever get to see the killer until the end of the film. This could be described as ‘patracted’ outcome; this also heightens this feeling of tension and shock. There are many things in this film that the audience doesn’t get to see such as, the head in the box, the killer, all of the plot and many of the apartment’s features. As the structure of this film is linear this means that the audiences are able to ask questions as they are almost a third detective. Noell Carroll said that this was a useful thing as it attracted in the audience and kept them involved in the story. Mathews described that one of the codes and conventions of a thriller was the idea that it follows the structure of a maze, with twists and turns. During the film there is a chase seen and this intensifies this idea that they are in a maze. There are many clues in this film that make the audience ask questions and this is also adapted to the idea of the maze. Delay and protraction is also used within the film during the scene were Somerset, Mill and Doe are in the car, the audience is waiting for a long period of time to get to the destination. Another code and convention used in this film is the idea that there has to be a moral dilemma for the main character, in this film it is almost that the good guy becomes bad. This gives the film a good twist and again introduces the idea of a maze. Cinematography is used effectively in this film to suggest subtle things to the audience. There is a point of view shot from the camera during the last scenes of the film and this gives the audience ‘partial vision’ and this causes the audience tension and fear as you don’t know what is happening very clearly. Within the film there are some low angle shots of Somerset this could suggest to the audience that Somerset has some sort of power over situations. John Doe is the main focus of the end scenes this is shown by there being many low angle shots of Dow blocking out the sun; this makes the audience feel fear as the bad guy has the upper hand. The use of an extreme low angle when John Doe is shot shows that this power has now shifted to Mills from Doe. A steady cam is used when focusing on Mills this could reflect his unstable emotions, and there is a contrast in Somerset’s emotion as a still cam is used on him. The main costume used in this film is cop uniforms, and holsters, this sets the idea of danger and suits this thriller genre. As the film is mostly set in darkness this promotes the idea of partial vision, and as the lighting changes during the last scenes this confuses the audience. The performance suits the thriller genre very much as there seems to be a lot of dilemmas and chaos. Somerset is very straight, tactful and neat and this is somehow is reflected in to his hair style which is very neat and traditional. In contrast Mills hair is quite messy and this shows how is personality is unpredictable and angry. The props used in this film also suited the thriller genre as there are guns, helicopters and body parts. The setting is in an urban environment and it is always raining this means that it again refers to this thriller code and conventions. There is usually very tense music in a thriller film to heighten the tension in the audience. There is strange scary music playing during the credits and this sets the plot of the story and how the storyline is very strange also. This non-diagetic music makes the audience feel suspense. There is also some internal-diagetic sound in the end of the film and this shows the audience the conscience of the Somerset. I don’t think this fits in with the film as it isn’t in the rest of the film. There is the use of crosscutting in the film and the use of shot reverse shot. The use of cross cutting shows the audience how the two characters contrast. When the camera is on a two shot of the characters it again makes the audience feel as if they are a third person or detective within the story. The graphics during the opening credits of the film show the audience what is to come within the film and show the audience the killer and again uses ‘partial vision’. The typeface of the graphics is scary and looks scrawled. The typography is small and is almost reflecting the weirdness of the mind of John Doe. The colours used during the opening credits are black and white meaning that there is a plain world and then the use of red shows the blood and violence. This film is a really good example of a thriller genre as there are many codes and conventions used constantly throughout the whole film.

Red Eye

The film red eye is a good example of a thriller film as it shows all the aspects of a thriller even within the opening scene. The film was released in 2004 and was directed by Wez Craven. The narrative structure of this film seems to be a linear one. The film starts showing the audience pictures of a girl. This could suggest that this person may be a main character. The pictures show the character graduating and playing a contact sport, this shows the audience that this person is intelligent and may be able to defend themselves. These are clues in the story that allow the audience to ask questions. This is a convention in a thriller film. These pictures are ones that are of proud moments of achievement, showing that this person may be a family member. There are a few obvious codes and conventions during this opening scene such as dramatic music, which makes the audience, feel tense. The film seems to be set in a modern time and this is one of the conventions that G K Chesterton said had to be in a thriller film. There are two main settings in this opening, one is modern and one seems to be in a derelict area, these two contrasting areas could make the audience ask questions. The opening is set at night, and you don’t get to see the characters face. This darkness and hiding of the characters identity could be classed as ‘Partial vision’. There is a box being transferred from a truck in this opening, this box could be the exotic in the film that changes the plot. There are also many things associated with thrillers in this opening scene such as thugs, weapons, stealing. The girl shown in the pictures seems to be ordinary, this is key as it is said by Chesterton who believed that this attracted the audience to the story as the character usually go from ordinary to extraordinary. The cinematography used in this opening sequence also complements the thriller genre. There is a low angle shot used to show the hotel, this could suggest great power and wealth in the hotel and give it that extra importance. The camera work is very quick paced and this shows how hectic the things are and could make the audience feel suspicious of what is happening. There are close ups on props that have significance, the wallet have the initials JR on it. This may be a clue for the audience to use when they find out a characters name with the initials JR. A steady cam is used to film the loading of the box in to the truck; this could be to reflect the sense of urgency in the characters loading the box. There is also a point of view shot of some one looking at plans of a penthouse; this could be a clue for what is to come later in the film. Also this makes the audience ask questions as to who they are looking through the eyes of. We only see the hair of the character and this is ‘partial vision’ as the hair style is very distinct this may be a clue if we see a character with this hairstyle later in the film. The main character in the opening sequence wears a suit; this could suggest some sort of power or authority. The props used I this sequence are plans and photographs, this shows that there may be a big event happening within the film to change the storyline. The props used also provide clues for the audience to work out such as the initials on the wallet. The lighting in the house is warm and soft this could again show the fact it is a family members house, in contrast the lighting in other areas in harsh and cold suggesting this is not a good person. As the opening seen is purely montage based the sound is non diagetic. The music is mostly dramatic and performed with instruments, but there is one sound that is different. The use of the sound of a aeroplane taking off is effective and relevant as it may show you what is to come in the film. The editing in the film is very quick paced and the montage shows the preparation of something that is to happen in the film. There is some use of crosscutting in this sequence. This could be relating the person planning and the box together. The graphics used at the very beginning of the film are plain and black and white. This is to focus the audience attention on the tense music being played. The typeface is straightforward and this could show how everything is planned within the film.

Strangers On a Train

Thriller films have been in movie for a very long time. One of the old thriller films is strangers on a train this film was released in 1951 and was directed by Alfred Hitchcock. This film is about two men that meet on a train and devise a plan to kill each others enemies as this would lead no connection to them as they are strangers. The narrative structure of the film seems to be linear. This is as it starts from the moment the two people don’t know each other. This structure is very easy for the audience to follow and is sometimes more attractive to an audience as they can ask questions and also predict what is to come in the film.
Thriller codes and conventions are used in this sequence to suggest to the audience what genre it is. From the very opening of the sequence there is very loud dramatic music, this can be associated with thriller films. As the camera is always focusing on the two men’s feet you never get to see the people, this is partial vision and can make the audience ask questions about the film and therefore they become more interested in the plot. The film seems to be set in a urban environment, which is one of the conventions most highly connected to thriller genres. This idea of the film being set in an urban environment also suggests that the people within the film are ordinary, this is another convention.
The camera in this opening sequence also helps the film become established as a thriller. The cinematography uses close ups to emphasizes partial vision on the feet, yet it also introduces the characters and makes the audience ask questions. This idea of partial vision is yet again explored using the camera when there is a low angle shot on the screen. Another interesting shot is the one of the train tracks, this is almost a point of view shot from the train. This shot is used to show the time in between the men arriving at the station and getting on the train. The costumes in this film suggest that is was made in the 50’s as both men are wearing suits and seem modern for this time. The hairstyles of the characters also match this idea of a professional modern man. The men are carrying briefcases which could encourage the idea that they are business men and of a high power. The performance in this section suggests to the audience that this is just an ordinary day for these men and this in a convention in thriller films. The lighting in this sequence is natural daylight, this breaks a convention that thrillers are set in darkness, but the audience are willing to except this idea as this is only the opening of the film.
The music in this film is very over the top and dramatic, and completely non-diagetic. This over the top music is played through the whole duration of the opening. This is a montage and could suggest to the audience at this moment in time introducing the characters is more important then the performance or dialogue.
The film is completely black and white and this would have been as the technology for this time didn’t allow the film to be filmed in colour. The montage used in this section is very effective as this is an easy way to introduce characters to an audience, and can show time passing in a simple way. Cross cutting is used in a effective way in this sequence as it shows the audience what the two characters are doing but also shows that these characters may be connected in some way. Fades, like montages, can also show the time passing, and this is also used in the section.
Like the music in this section the graphics are also very big and over the top. This could suggest to the audience that the director believed that this film was to be as big as the headings or music.

State of play

State of play was directed by Kevin MacDonald and was released in 2008. As the film seems to be following an unconventional way, and can leave the audience feel confused about what is happening on screen. This suggests to the audience that the narrative structure may be non linear. This structure could make it easier for the audience to follow.
One of the most obvious codes and conventions in this opening sequence is that it is filmed in the city; this is the same for most thrillers. Bad weather in the section connotes to the audience that bad things are to come and can also encourage partial vision within the film. This is also used as the film is set in darkness. In this opening sequence there is a man running with a briefcase. This makes the audience automatically begin to ask questions and introduces the idea of the exotic. This again produces partial vision as you don’t see what the man is running from and you don’t know the importance of the briefcase, if any. This opening sequence really takes the audiences attention and automatically creates suspense with all these conventions and codes in place.
Some of this sequence is filmed using a handheld camera. This adds the affect that the emotions of the character involved are ‘wobbled’ like the man running. This type of filming suits the scene and adds a sense of excitement to it, as it is different and suited. Close ups of things within the opening adds tension and allows the audience to fully observe what is on screen. This also encourages the audience to ask questions and adds tension. Low angle shots create the person in the frame to look bigger then what they are and connotes to the audience that they have a higher sense of power then the other things within the scene. This is used effectively in one point in the opening where there is low angle shot of the man in the scene.
The clothes in this opening seem modern and this suites the environment in which it was filmed and also could encourage the idea that the man in question is ordinary. Darkness is used in this film effectively as this type of lighting adds the idea of partial vision and can encourage the audience to ask questions again, it is also a convention of this genre. The performance is believable as the audience understand that the character is scared as they are being chased. It also adds tension within the scene and tension is crucial in a thriller genre.
The sounds in this opening are diagetic as they are all sounds of the modern city, i.e. sirens. Heavy breathing again adds tension and makes the audience begin to ask questions about this character. The lack of speech within this opening emphasizes the actions within and leaves the storyline to the imagination of the audience. The use of non- diagetic music in this scene is only used when introducing the credits, which could be seen as unconventional when comparing to the likes of strangers on a train. The sound of rain and bad weather again introduce the bad connotations that come with this.
The cuts within this section are very quick, this could be to disorient the viewer or add tension to the scene. The match on action within this scene doesn’t seem to be very good. This could be as a fault of the editing crew or could be used to emphasize the unsteady motions of the characters like how a handheld camera does so. The cuts seem to slow down this could be to capture the audience more in to the story line and to smaller details where as the shorter cuts grabbed the audience’s attention.
The typeface of the credits in this film is very army like and official, this could suggest that the graphics in the film could represent boldness, and masculinity within the film. The typography is interestingly very small and out of the way suggesting modesty or maybe that the graphics is not as important as what is happening on screen itself.

Angels and demons

The film Angles and Demons, was directed by a man called Ron Howard and was made/released in 2009. The opening sequence in this film suggests a linear narrative structure as it begins with the death of somebody, suggesting that this is the event to cause the story to begin. This means that the audience can be easily drawn in to the film and follow it well.
The first code and convention of a thriller film in this section is a very obvious one, death. The film immediately begins with the death of a pope which in turn makes the audience begin to ask question such as how did this happen? The music being played in this opening scene is very aerie which is usual for a thriller genre, as it can create tension among the audience. The setting in this film seems to be modern as there are cameras and a huge television outside the Vatican. This means that the usual code and conventions are met in this film. As the film seems to be set around religion, the rituals taking place seem to be ordinary; in a sense that everyone knows about them. This is a convention in a thriller genre. There seems to be some patracted outcome in this section too. This is as we don’t get to see who the person is doing the actions on screen and this leaves the audience to become shocked when they see who it is and ask questions when the don’t.
The cinematography is also used effectively in this sequence as it makes the audience ask questions about what is happening in screen. Shallow focus and close ups on props uses partial vision and makes the audience ask questions. The close ups also allow the audience to see the clues about what the film is about as there is the cress of many religious symbols of the props.
The main props in this sequence are religious items that emphasize the fact that this is a religious ritual. The dressing in this film again suits the theme in this opening, and the costume is religious uniform. The lighting within this opening is natural which goes against the convention that thriller films are set in darkness but the day seems dark and cloudy. This could suggest the idea that the weather is bad and therefore connote badness to the audience. The performance is very sad, and his is relevant as there has been a death. The striking of the ring is very patracted and harsh. This could suggest that there is to be violence later in the film. The lighting on the popes thrown is lit by candle light and this shows partial vision as you can not see what is going on in the background. This candle light is also very effective as it creates an aerie atmosphere.
The sound at the very beginning of this opening sequence is very religious like and scary. This non diagetic music creates tension and fits in with that convention. The diagetic sound in this sequence is sound from the ritual taking place and shows the audience that this is the most important thing that is happening of screen. The only dialogue in this section is the voice over which seems to be of a news presenter. This is useful as it explain to the audience members that on understand what is going on and informs them of what is happening on screen.
In the editing of the film there is one section that is particularly effective. There is a pixelated background of the ring while the titles of the production companies are on screen. This draws the audience attention to the titles but also makes the audience ask questions about what is on screen and is causing patracted outcome. Slow motion is used to emphasize the action of striking the ring this could again suggest violence and as the action is dragged out it could intensify the emotion. This could suggest to the audience that the destruction of the ring represents destruction of life which suits a thriller genre.
There are 22 cuts in this sequence and all are very slow and paced. I believe that this is as it is representing the ritual and is relevant for the scene.
The graphics in this opening seem to be unimportant and not very bold. This suggests that the audience should be more involved in what is going on in the film rather then the credits.

Constantine


Constantine is another religious based, supernatural thriller. This film was directed by Francis Lawrence and was released in 2005. This film initially begins with the event of finding the spear of destiny, as this is a very large event not interfered by anything else it suggests to he audience that this film is linear.
This film from the beginning introduces an exotic which is one of the main codes and conventions used in thriller genres. This exotic makes the audience ask questions and makes the storyline become very interesting. The music in the scene also creates tension which is a convention of a thriller film. Partial vision is used as when the character breaks in to a hole you don’t get to see what is in the whole. This leaves the audience in suspense and enforces patracted outcome. As you get to see the whole of this character straightaway is suggests to the audience that this is one of the lesser characters in the film as a usual convention in a thriller film is to lead up to introducing main characters. The film begins with daylight which is an unconventional thing but can be accepted by the audience as it is at the beginning of the film. Thriller films are usually set in a modern urban environment. The opening of this film is set in a decaying religious environment, but as taxis and cars drive past the background it could suggest that a modern city is nearby, and that is where the real story is set. When the car hits the character it connotes a strong sense of violence, this is another convention in thrillers.
There are many long and establishing shots in this opening that are very patracted. This emphasizes that the area is very abandoned and allows thinking time for the audience to ask questions about this unusual area. In this cinematography in this section there is one shot that is very effective and that is the low angle shot with the sun behind the character. This connotes that the character ha a certain amount of power. This is later contrasted a few seconds further in to the film with a high angle shot. This could suggest that this power has now gone and he is now helpless. To have these two shots together is very effective as the contrast each other so much and makes the audience again ask questions.
There is only one extreme close up in this section and that is of the symbol of the wrist. This could mean that the symbol is important and should be remembered by the audience. Costume in this sequence could be shown as unimportant as the characters are dressed unimportant and very scruffy. The hair and setting suit this style and the area is vey abandoned and derelict. The lighting is natural and in he day which doesn’t follow the ordinary codes and conventions of a thriller film, but doesn’t seem to be that important in this section of the story. The area in which this is set seems to be very dusty and smoke from fires create a sort of partial vision and makes the audience ask questions.
The diagetic sound in this opening is provided by the cars that remind the audience that there may be a modern city or town nearby to the story. The dialogue in this section is in a different language but no subtitles are provided so this could show that the speech isn’t important. There is mostly no sound in this section so when sound is introduced it is more effective then if there were music playing. When the collision occurs and the character is hit by the car it makes the audience feel shocked, this feeling is often associated with thrillers. Non diagetic sound is also used to exaggerate the high angle shot as the shot moves out there is a sound of hissing. This intensifies the shot.
The pace throughout the opening sequence is very slow untie the exotic is introduced then the cuts begin to happen a lot quicker. This shows the audience that this exotic is going to cause excitement within the film. Special effects used also make the performance look more realistic and special effects are very conventional in a thriller film.
Graphics are used in this film to tell the audience background information about the exotic in the film. The graphics are very simple and basic; this is as the audiences attention should be on the information and nothing else. When the title of the film appears the background is a light moving across the screen unveiling the background. This s partial vision as it highlights the darkness within the section. This could suggest darkness within the film and contrasts with the daylight in the introduction.

appendix one: the thriller genre

What is a thriller?

When watching a film of the thriller genre there are many codes and conventions that are used. These codes and conventions are clues to the audience that what they are watching is of the thriller genre. The things that you usually expect in a thriller film are, tense moments and situations causing fear to the audience, there usually is a potential danger in the story. This danger is usually represented in the form of a victim and this brings in another convention that is some one has to ‘save the day’. There is also another party involved in this which is the villain, this doesn’t necessarily have to be a ‘bad guy’ but can come in the form of a deadly disease. You expect to see action in a thriller and this can come in many forms such as, war, guns, or fights. Supernatural things can also be related to a thriller film, as this can cause suspense to the audience. There are many authors and critics that have taken it upon them selves to write about the thriller genre. The first of many to write about this topic was a man called G K Chesterton. At the time when he was writing the thriller genre was just immerging. At this time the thriller genre wasn’t appreciated and wasn’t classed as an ‘appropriate’ type of literature, as most genres in this period were set around more realistic storylines. So G K Chesterton described this genre as modern. He described the main setting for this genre was an urban, city landscape, and this added to the idea of the genre being modern. His thoughts on the thriller genre were that it was an attempt to bring the ‘poetry’ to the ordinary person’s life, and bring excitement to a monogamous life. He believed this genre turned ordinary to extra-ordinary. Some one that built further on to Chesterton’s critique was Northrop Frye, he said that often the ‘hero’ of the film is usually an ordinary person and has to become extraordinary to ‘save the day’. He explained that often the audience is happy to except these extreme situations similar to the way they can accept the stories of romantic fiction. He said “the hero or romance movie in a world in which the ordinary laws of nature are slightly suspended” this means that in a film you are allowed to make things that wouldn’t usually happen in real life and people will believe it. He also states that this is almost bringing the enchanted forest to the city. The next critic, John Cawelti, combines both the views of Chesterton and Frye. He also agrees with the ideas that the thriller genre is about a modern city and all the usual things about a hero and villain, but he introduces ‘the exotic’. This is the Idea that something is introduced to an ordinary life and changes it. This ‘exotic’ makes life more exciting and this provides the material for a thriller film. The ‘exotic’ can also be a place not only an object. Other films that have included an ‘exotic’ are Jimanji, lost, click etc. W H Mathews relates the thriller genre to the story of the labyrinth. This is the image of descending down underground in to a maze full of, twists, turns, puzzles and dead ends. This relates to the twists and turns in a thriller genre as it is important to make sure the audience never really knows what is going on as this creates the atmosphere of suspense. There is also this idea that there should be clues in the thriller to allow the audience to deduce some outcomes but not to actually be able to work out the outcome. A thriller is this idea of a “puzzling journey”. clues are again important in the triller as it makes sure that the audience don’t become too lost inside the story line of things. He also describes how usually the thriller isn’t introduced to the audience until the end of the film, as this relates in with the idea that the audience have reached the end of the maze and have to over come one last puzzle. To expand further on this idea that you don’t see the outcome until the end of the story, Pascal Bontizer thought that what Mathews was describing was ‘partial vision’. This is the again the idea that something isn’t revealed to the audience until the end of the story. But this can also be that something can be with in the camera shot or within the storyline that the audience never get to see. This adds fear and tension to the audience and always leaves them asking questions. Lars Ole Saurberg believed that it was important to deliberately hide some thing form the audience, ad this ties in with Bontizer’s and Mathew’s theory again. He believed that to delay something created tension and kept the audience interested. Also this idea of have the delayed outcome jump out at the audience or to be revealed to them will cause the audience shock, this was called ‘patracted’ outcome. Another person who wrote on the thriller genre was Noel Carroll. He believed that the thriller genre had to follow a question and answer theme, and there had to be time delaying the audience from the real outcome. E.g. will the character survive? He also states that in the case of a battle the stakes usually have to be against the odds of the ‘good guy’ and this again causes suspense. Carroll said that as the story line had to be unpredictable there was also a ‘morality factor’ involved, meaning that the hero could sometimes become the villain or the other way around. This again follows this idea of Mathew’s maze idea. Therefore the outcome will always be tension and fear among the audience.